Excuse Me While I “Wilhelm Scream” Here!

What are the horror movies without us screaming on top of our lungs at the

most scariest moments.

Fear and scream goes well together like a peaches and cream.

[via i09.com] The Science of Horror Movie Screams

As horror-flick titles go, Night of the Living Chaos and Rosemary’s Nonlinearity aren’t the catchiest.

 But filmmakers know that chaos – the mathematical kind – is scary. Now scientists know it too.

Filmmakers use chaotic, unpredictable sounds to evoke particular emotions, say researchers who have assessed screams and other outbursts from more than 100 movies.

The new findings, reported [in the May 25, 2010 issue of] Biology Letters [PDF available here], come as no surprise, but they do highlight an emerging if little-known area of study, says cognitive biologist W. Tecumseh Fitch of the University of Vienna in Austria, who was not involved in the study.

“The classic example would be a screaming baby on an airplane,” says Fitch, “the kind you can’t ignore and makes your life hell.

“Cries are harder to ignore when they become irregular and chaotic, recent research suggests.

Scientists think that these noises, uttered or roared when an animal is really worked up, have a crucial role in communication: They frantically demand attention.

By exploring the use of such dissonant, harsh sounds in film, scientists hope to get a better understanding of how fear is expressed, says study co-author Daniel Blumstein of the University of California, Los Angeles.

“Potentially, there are universal rules of arousal and ways to communicate fear,” says Blumstein, who typically studies screams in marmots, not starlets.

Blumstein and his co-authors acoustically analyzed 30-second cuts from more than 100 movies representing a broad array of genres.

The movies included titles such as Aliens, Goldfinger, Annie Hall, The Green Mile, Slumdog Millionaire, Titanic, Carrie, The Shining and Black Hawk Down.

Not unexpectedly, the horror films had a lot of harsh and atonal screams. Dramatic films had sound tracks with fewer screams but a lot of abrupt changes in frequency.

And adventure films, it turns out, had a surprising number of harsh male screams.

“Screams are basically chaos,” Fitch says.

Filmmakers have long been deliberately distorting sounds for dramatic effect, says musicologist James Wierzbicki of the University of Sydney.

In Hitchcock’s classic The Birds, the only true avian sounds are heard near the beginning of the movie, in a pet shop. The calls of the demented, attacking birds were all electronically generated.

A true, harsh scream “is not a trivial thing to do,” Fitch says.

In fact, capturing a realistic, blood-curdling cry is so difficult that filmmakers have used the very same one, now found on many websites, in more than 200 movies.

THE WILHELM SCREAM
is a popular stock scream used in countless films, tv shows, and video games. It was recorded in 1951 for Distant Drums, but found it’s infamy when sound magician Ben Burtt snuck it into the films he was working on, especially Star Wars and Indiana Jones.

Known as the Wilhelm scream, it is named for the character who unleashed it in the 1953 western The Charge at Feather River. [Read more]

I think I am ready

AAAAAAAAAAAAAAAAAAAA ……….

It felt so good.  “winks’

May As Well Look Into The Abyss, From The Distance We Can See Amazing Things

James Cameron made fantastic movies like The Aliens.

And who will ever forget the success of the Terminator, Titanic or Avatar.

But the personal favorite of mine was The Abyss.

Love that movie.

Filmed under the water it took us to the most serene place on Earth.

To the abandon nuclear power plant.

What?

via io9.com Watch how The Abyss was filmed at an abandoned nuclear power plant

When James Cameron was directing The Abyss in 1987, he opted to film the underwater at the unfinished Cherokee Nuclear Power Plant near Gaffney, South Carolina. After filming wrapped, the set stood basically unattended for 20 years, allowing urban explorers to sneak in.

According to the interwebs, the set was demolished in 2007, but we still have this fantastic documentary footage (2, 3, 4, 5, 6) showcasing how James Cameron created the bottom of the sea in the Deep South.Read more

Cameron’s crew constructed one of the largest underwater film stages ever built and — because of the sheer cost of disassembling it — were forced to abandon it to the elements for 20 years.

Even though the seven-million-gallon, forty-foot-deep set was eventually demolished in 2007, we’re lucky to have photographic evidence of this cinematic monolith.

A tipster has generously provided us with dozens of pictures from urban exploration missions to The Abyss‘ rusting Deepcore seabase.

These shots were taken from 2003-2004.And just for kicks, here’s how the place looked in 1994.

I imagine if you slept there at night, the ethereal visage of Ed Harris warbled a sweet siren song, tempting you to take a dip in the stagnant water.

But who built these?

Visible Only From Above, Mystifying ‘Nazca Lines’ Discovered in Mideast

via ca.news.yahoo.com They stretch from Syria to Saudi Arabia, can be seen from the air but not the ground, and are virtually unknown to the public.

They are the Middle East’s own version of the Nazca Lines — ancient “geolyphs,” or drawings, that span deserts in southern Peru —

and now, thanks to new satellite-mapping technologies, and an aerial photography program in Jordan, researchers are discovering more of them than ever before. They number well into the thousands.

Close-up photo of one of the wheels from the Azraq area. Photographed from the air it has an amorphous design.

Referred to by archaeologists as “wheels,” these stone structures have a wide variety of designs, with a common one being a circle with spokes radiating inside.

 

 

Researchers believe that they date back to antiquity, at least 2,000 years ago. They are often found on lava fields and range from 82 feet to 230 feet (25 meters to 70 meters) across. 

 

In Jordan alone we’ve got stone-built structures that are far more numerous than (the) Nazca Lines, far more extensive in the area that they cover, and far older,” said David Kennedy, a professor of classics and ancient history at the University of Western Australia.

Kennedy’s new research, which will be published in a forthcoming issue of the Journal of Archaeological Science, reveals that these wheels form part of a variety of stone landscapes.

 

Can You See It?Credit: David L. Kennedy APAAME_20081102_DLK-0062-2At ground level the two wheels are practically invisible and appear as little more than a jumble of stones. [Read full story]

These include kites (stone structures used for funnelling and killing animals); pendants (lines of stone cairns that run from burials); and walls, mysterious structures that meander across the landscape for up to several hundred feet and have no apparent practical use. 

His team’s studies are part of a long-term aerial reconnaissance project that is looking at archaeological sites across Jordan. As of now, Kennedy and his colleagues are puzzled as to what the structures may have been used for or what meaning they held. [History's Most Overlooked Mysteries] Read more